The Estate Tickets

Play
Dorfman Theatre
National Theatre, South Bank, London, SE1 9PX
Running Time TBC
Running Since Wed, 9 July 2025
Booking Until Sat, 23 August 2025
Monday - 19:30
Tuesday - 19:30
Wednesday - 19:30
Thursday - -
Friday - 19:30
Saturday - -
Sunday - -

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Limited Run Off West End Play Star Cast

More about The Estate

The leader of the opposition resigns in scandal, and against all odds, Angad Singh becomes the frontrunner. He could win, make history, and truly change things—if his sisters stay silent. BAFTA winner Adeel Akhtar (Fool Me Once, Four Lions) stars as Angad in this sharp exploration of family, power, and the lies we tell ourselves. Following his acclaimed revival of Accidental Death of an Anarchist, Daniel Raggett directs Shaan Sahota’s remarkable debut play.

Being the favourite comes at a price.

The leader of the opposition has been forced to resign in a scandal. Against the odds Angad Singh emerges as the favourite.

He could win, he could make history, he could really change things – as long as his sisters keep their mouths shut.

BAFTA winner Adeel Akhtar (Fool Me Once, Four Lions) is Angad in this razor-sharp exploration of family, power and the lies we tell about ourselves.

Following his critically acclaimed revival of Accidental Death of an Anarchist, Daniel Raggett directs Shaan Sahota’s remarkable debut play.

For assisted performances, please book directly through the National Theatre.

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Dorfman Theatre

National Theatre, South Bank, London, SE1 9PX
View Seating Plan

The Dorfman Theatre (formerly the Cottesloe Theatre) is the smallest and most flexible of the National Theatre auditoriums. It is a rectangular room, which can hold up to 450 people.

There are three levels in the Dorfman auditorium; the Pit, the Circle and the Gallery:

The Pit has a flexible seating system that can be raised and lowered in minutes, to either a steep or shallow rake format; or the seats can be folded away completely to become a flat floor.

Performances can be staged in a conventional format with the stage at one end; in “traverse”, where the seating is in two banks facing each other, lengthways or across the space; or in-the-round, with the stage surrounded on all sides by the seating.

The Circle and Gallery levels are on three sides of the room, looking down on the Pit and stage. These are fixed and are reminiscent of the inn-yards that were used as performance areas before Shakespeare’s era.